No. 31 Smooth détaché entirely in third position
No. 32 First shifts to third position, and intonation
No. 33 Mixed bowings in 1st and 3rd positions, with a few triple stops and chords
No. 34 Détaché across positions, with 21 variations
No. 35 Legato mixed with separate bows, and position changes
No. 36 Arpeggios galore: fast fingers and secure shifting
No. 37 Bow control and more position work
No. 38 Smooth shifts and even tone in a tricky bowing
No. 39 Legato shifting and intonation with accidentals
No. 40 Ricochet and springing-bow control
No. 41 Smooth legato, more shifting and seamless bow changes
No. 42 Expressive sustained legato, shifting and first appoggiaturas
No. 43 Fast passagework and shifting between positions
No. 44 Articulated bow strokes and secure positions
No. 45 Bow control in mixed bowings, long staccato runs and shifts
No. 46 Half steps, arpeggios and a smooth bow
No. 47 A balanced left-hand frame and singing phrasing
No. 48 Shifting to second position, with accurate intonation
No. 49 Classic détaché, string crossings, bow distribution and position changes
No. 50 Fast martelé and short legato bows in 1st, 2nd and 3rd positions
No. 51 Finger dexterity, rhythm, legato string crossings and position work
No. 52 Trills, introduced in several positions
No. 53 Double stops and finger independence in three positions
No. 54 Rapid chromatic passages across positions
No. 55 String-crossing patterns in three positions, with tricky double stops
No. 56 Double stops, octaves and demanding intonation
No. 57 Rapid shifting, accurate fingers and legato string crossings
No. 58 Smooth shifts between 1st and 3rd positions in legato
No. 59 Combined techniques and fluent double stops
No. 60 The finale: advanced bowing, shifting, double stops and coordination
No. 1 Consistent détaché and steady finger placement
No. 2 A fast, efficient left hand and clean intonation
No. 3 Rapid détaché and clear articulation
No. 4 Détaché, bow distribution and coordinating the hands
No. 5 Clean string crossings, bow control and flat-key finger patterns
No. 6 Mixed bowings and more demanding string-crossing coordination
No. 7 Détaché, with more work on flat-key finger patterns
No. 8 Slurred string crossings, a smooth bow and tone development
No. 9 Steady rhythm, long legato bowings and arpeggios
No. 10 Finger agility, even tempo, mixed bowings and tricky left-hand patterns
No. 11 Clear détaché, fast arpeggios and more flat-key finger patterns
No. 12 A new bowing style, E-flat major and bow distribution
No. 13 Sustained tone and smooth, rhythmic sixteenth notes
No. 14 Alternating bow strokes and bow control
No. 15 Sautillé sixteenths with light, smooth string crossings
No. 16 Legato finger patterns, intonation and full bows
No. 17 Détaché mixed with long notes, arpeggios and quick left-hand coordination
No. 18 Fast finger patterns and legato string crossings
No. 19 Advanced détaché, triplets and string crossings
No. 20 Legato patterns, bow division and intonation
No. 21 Martelé stroke and controlled accents
No. 22 Overlapping slurs with a crisp accent on each last note
No. 23 Détaché mixed with legato, clean articulation and intonation
No. 24 Mixed bowings and up-bow staccato
No. 25 A tricky bowing pattern and coordinating the hands
No. 26 Overlapping legato bowings and active fingers
No. 27 String-skipping bow strokes and rhythmic precision
No. 28 Smooth legato and a first look at double stops
No. 29 Arpeggios that coordinate both hands, with a light, fast bow
No. 30 Advanced legato string changes and intonation
